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When rock and roll exploded
into human consciousness during the early 1950's, black
musicians like Bo Diddley, Little Richard, Chuck Berry,
and Smokey Robinson pioneered the way, but a white DJ
named Alan Freed is believed to have coined the term
"rock and roll".
The first real rock and roll
record was "Shake, Rattle and Roll", written by Jesse
Stone who was black and recorded by Big Joe Turner who
was also black but it wasn't a hit. The first big hit
rock and roll record was "Rock Around the Clock" written
by James Meyers and Max Freeman of obvious ancestry, and
that one catapulted Bill Haley and his Caucasian Comets
to stardom.
During the 1950's and early
60's, there were countless "do wop" groups, rock groups,
singers and songwriters but until The Beatles hit the
charts, there had been very few bands which contained
talented songwriters. |
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The vast majority of jazz
and rock bands recorded songs written by songwriters who
were not performers, with occasional exceptions like
Duke Ellington and Buddy Holly. As time goes on, it's
increasingly clear that Lennon/McCartney songs are
brilliant classics which will never be forgotten. Now
here's why The Beatles are the most creative band of all
time:
1.
BEST EXAMPLE OF FORM = CONTENT
As I sit here writing this at the keyboard of my
computer facing the unique and colorful Beatles poster
in my bedroom, I'm aware that I have been directly and
indirectly inspired by John Lennon's music as well as by
the way he lived his life offstage. Squarely in front of
me is a full color poster of all four Beatles standing
in a heavenly-like flower garden at about the time of
the Abbey Road album.
Paul is angelic in his pink
suit with a white laced shirt. John is enigmatic peering
out from the background. George is charismatic staring
directly into the camera from the lower right. Ringo is
on the left with a stylish blue suit and his pink
ruffled shirt. I always wished I could dress like those
guys but obviously there's a bit of a problem with a
money differential there.
Surrounding this gorgeous
poster which I have never seen elsewhere are my 45 speed
original Beatles hit records, including I Want to Hold
Your Hand, She Loves You, Please Please Me, Twist and
Shout, Can't Buy Me Love, She's A Woman, Yesterday, and
of course, Hey Jude. |
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2.
BEST SONGWRITERS
This should be self-evident, but just because Paul
McCartney has the title of the most popular songwriter
in history doesn't necessarily make him the best
songwriter in history. The qualities which do make both
Paul and John the best songwriters in history go beyond
writing the greatest number of catchy classic songs.
"Catchy" means that their melodies and lyrics are
instantly memorable. "Classic" means that they stand the
test of time.
But both Paul and John wrote
very sophisticated melodies that moved beyond the simple
groups of 2, 4 and 8 patterned phrases used by almost
all other songwriters. John and Paul's melodies soared,
floated, cascaded, dived and peaked with true dynamics,
naturally following the syllabic lyric patterns - but
not always. Sometimes the melodic and lyric patterns
were independent of each other, almost counterpoint in
nature, and as a songwriter, they never ceased to
astonish me with their brilliance and originality. In
the beginning, their lyrics were simple and their songs
were simple love songs.
But they soon began
exploring new territory by writing about subjects that
hadn't been covered before. Inspired by Bob Dylan, they
wrote true poetry with feeling and depth, using
evocative and unusual words. Rubber Soul marked the
beginning of their evolution as mature songwriters,
Revolver was a break-out album, and Sergeant Pepper was
an historic landmark album in terms of new and
innovative songwriting as well as production. Every song
they wrote was significantly different from the last one
even though each song had their unmistakable sound.
Most songwriters are only average players on their
instruments, but John and Paul are both sophisticated
guitarists who were able to integrate their playing into
their songs and even into their song structure so that
the "licks" they played became as catchy a part of their
songs as the choruses and verses. Blackbird and Dear
Prudence are only two examples of songs which couldn't
possibly be written by any other songwriter because of
the guitar playing which forms an integral part of the
song structure. In similar fashion, Lady Madonna is the
best example of a great song which derives from the
unique and beautiful bass part which only Paul could
possibly have created.
Average songwriters achieve the catchy quality by
repeating a phrase endlessly or by beating a chorus to
death. John and Paul found countless ways to be
memorable without ever overly repeating something. The
only time they repeated something over and over again
for a long time was in Hey Jude, and what they chose to
repeat is so gorgeous that one can only wish they had
never ended the song. The Beatles were my biggest
musical influence and I used to think, "If I could write
just one song that's as good as John and Paul's worst
song, I'd be happy." People tell me I accomplished that
goal and they say one good example is John is Alive
which is my sincere tribute to Sir Lennon.
3. BEST SINGERS
Even Ringo could sing when he got a little help from his
friends who lived in the yellow submarine. But to say
that Paul and John are two of the best singers in rock
and roll is to state the obvious. Combining John, Paul
and George created the best harmony vocals the world has
ever experienced. Even their two part harmonies were
unusual, catching us all by surprise on their first hit
record with the fast harmony melisma in the chorus of I
Want to Hold Your Hand.
John had a knack of placing
a unique low harmony line underneath Paul's high melody
line so as to form a second melody which created unusual
harmony effects. He did that right from the beginning in
the verses of She Loves You. Both Paul and John could
blast out screaming rock and roll (i.e. Long Tall Sally
and Twist and Shout), and both could break our hearts
with touching, deep feeling ballads (i.e. Yesterday and
Julia). There seems to be no end to their emotional
vocal range, and John even explored the heights of vocal
psychedelia in songs like She Said (Revolver) and Lucy
in the Sky With Diamonds.
4. MOST CREATIVE PLAYERS
Paul brought a new style of melodic playing to the bass
guitar, reaching a new high of creativity on Sergeant
Pepper with a level of sophistication never heard
before. Many other musicians besides me recognize Paul
as being one of the best bass guitar players ever.
George is underrated as a lead guitarist by people with
average or below average musical knowledge or ability,
but most guitarists (including Eric Clapton) know
better. George's strength is in melody, pure and simple.
It would be difficult to
find a George Harrison lead which is not melodic, and
each of his leads has a strong beginning, a stronger
middle and a well defined ending. In fact, that's Eric's
definition of what makes a good guitar lead. George
continually developed new guitar sounds for each Beatles
song. John and Paul are also excellent guitarists and
both recorded great leads as well as innovative rhythm
tracks.
All three of the Beatles
guitarists may lack showy technical fireworks but they
make that definition of guitar mastery irrelevant by
overwhelming the senses with creativity, style, and pure
melody. The exact same thing can be said about John and
Paul's keyboard playing. Ringo may be underrated as a
drummer by the public but he is not underrated by other
professional drummers.
Ringo mastered the art of
drum sounds. No drummer has ever recorded so many
different sounds on so many different sounding records.
Ringo invented a new style of slow drum playing,
epitomized on A Day in the Life and Strawberry Fields
Forever. John said many times, "Ringo has the best back
beat in the business" and the successful studio drummers
understand why John was correct.
5. TOTAL CHARISMA
A good definition of charisma needs to include "an
unusual ability to influence people and arouse devotion"
and "a personal attractiveness which enables a person to
influence others". No musical group prior to or after
The Beatles features true charisma emanating strongly
from the entire group as well as separately from each
member. The Beatles stunned the world with their
photogenic quality, their charm, their bubbling and
lovable personalities, their cuteness and their unique
style.
Even before The Beatles
achieved fame, people in Liverpool were imitating their
haircuts, the way they dressed, the way they behaved,
and the way they lived. Such a simple subliminal message
about smoking marijuana got communicated to all the
hippies who were waiting to happen without actual words
ever being spoken. The Beatles had a lot to lose by
being explicit on that subject, but they successfully
avoided trouble by keeping it very subtle while at the
same time clear enough so that we all got it.
The Fab Four kept changing
their styles rapidly, almost with each album cover, and
soon the message became one of explicit spiritualism.
After visiting India, The Beatles introduced eastern
mysticism and meditation to the Western world for the
first time through the mass media. John's long saga with
internal angst, drugs, spiritualism, politics, personal
battles, and ultimately his marriage to Yoko played out
like a movie the whole world got to watch in
fascination. Paul's happy life with Linda, George's
great focus on meditation, and Ringo's equanimity
throughout were all perfect examples of the power, the
truth, and the effectiveness of true charisma.
6. SEXUAL AURA
Need I say it? Ask the millions of girls who were
screaming and fainting at the very sight of them. "The
Boys" didn't move like Elvis or dance like Mick, they
just stood there shaking their "mop top" heads around,
smiling, laughing, and looking gorgeous as they
performed great music and that was it. On their first
visit to America, some enterprising weirdo from New York
City managed to cut up the hotel bedsheets The Beatles
had slept on into 1" square pieces, and these things
were actually sold to girls over the public airwaves by
adult DJ's on the AM radio stations who should have
known better.
The Beatles phenomenon went
way beyond the rock and roll sex star status that had
been seen before. Teenage girls in uncountable numbers
fell in love, their hearts to be trapped, their heart
strings to be continually plucked, and ultimately, their
hearts to be broken by the unobtainable object of their
love. Worshiping a star from afar? Infatuation?
Obsession? Not real love? For many of them, it was their
first experience feeling love for a man/boy. Whatever it
was, it was very real to all of them, and we all soon
understood that The Beatles were The Real Thing.
That's why I call The Beatles the Most Creative Band of
All Time. They were The Real Thing. The Creative Zenith.
The high point on the bell curve of musical history.
About The Author:
Peter Cross is a Web Master who was among the
first to put music on the Internet in a downloadable
format in 1996. His web site may be the largest music
artist web site on the Internet. You can find this
article at:
http://www.starcrost.com/entertainment/ledzep.php
and his home page at:
http://www.starcrost.com
where his copyright is located at the bottom of the page |